SHALOM HANOCH PERFORMANCE JERUSALEM FOR FREE

вЂњFor the first time, a country has entered the digital music market to protect and promote its local culture and unique language for the first time in digital media, royalties are distributed equally to creators, record companies and performers.вЂќ The National Library stated that the app sets two global precedents. Photo by Government Press Office via Wikipedia Shlomo Bar of Habrera Hativeet playing at the Israel Peace Festival at Neve Shalom, 1985.

SHALOM HANOCH PERFORMANCE JERUSALEM FOR FREE

The third part was the topic under discussion.ДЄt that meeting, Horowitz said, вЂњIвЂ™m a musician who, along with my sister, had the good fortune to be the heir of my mother, the late Naomi Shemer, so IвЂ™m also interested in how we can preserve the culture that preceded our generation, and IвЂ™ve also founded an initiative together with the best Israeli artists from across the musical spectrumвЂ¦ for free access to Israeli music in anyoneвЂ™s pocket via an appвЂ¦ It is not for profit because we are very, very worried about the fate of this sector.вЂќ The first part was being handled by the National Music Collection, the second part would be Digital FinjanвЂ™s task. A publicly available music app would be part of a вЂњwin-win proposalвЂќ covering preservation and accessibility promotion of Hebrew music and disbursement of royalties.

In 2016, an idea was floated at a Knesset committee hearing on a bill for the extension of the period of copyright on recordings from 50 to 70 years. Yaffa Yarkoni entertaining IDF troops in 1967. These rich catalogues of Israeli music were added to the libraryвЂ™s National Music Collection and Sound Archive, the worldвЂ™s largest collection of ethnographic and commercial recordings of Israeli and Jewish music (developed in partnership with the Legacy Heritage Fund), and the Bella and Harry Wexner Libraries of Sound and Song, for the rescue, preservation and digitization of audio recordings, music manuscripts, printed material and ephemera, as well as personal archives of composers and performers. The solution would be an app for Israeli music.ДЄs luck would have it, a historic agreement had recently been signed between IsraelвЂ™s record companies and the National Library, allowing the library to use the companiesвЂ™ Israeli repertoire for preservation and accessibility purposes in return for a symbolic royalty fee on copyright-protected content. Three and a half years ago, Horowitz became concerned that her legacy, along with others of that founding generation, could be forgotten. Image courtesy of the National Library of Israel The app also boasts an artificial intelligence component that analyzes user feedbackвЂ“likes, dislikes and a sliding вЂњSurprise Me This MuchвЂќ scale that lets users determine how often they want to hear unfamiliar tunes вЂ“ to learn the userвЂ™s personal tastes and generate tailored playlists.

Since its February 4 release, the free and ad-free app had already been downloaded 100,000 times, and ranked first on both Google Play and App Store, ahead of music app titans Spotify, Shazam and SoundCloud. There are also old-timey tracks salvaged from the dustbins of Israeli audio history: kibbutz choirs, army entertainment troupes, musical numbers, childrenвЂ™s songs and more. Shiri (вЂњmy songвЂќ in Hebrew) offers music by beloved Israeli musicians like Arik Einstein, Aviv Geffen, Berry Sakharof, Chava Alberstein, Dana International, HaDag Nahash, Hanan Ben Ari, Itzik Kala, Marina Maximilian Blumin, Netta Barzilai, Rita, Ronit Shachar, Shalom Hanoch, Shlomo Artzi, Shoshana Damari, Tea-Packs (Tippex), Yaffa Yarkoni, Yehudit Ravitz, Yonatan Razel and Zohar Argov, along with hundreds of others.

The sliding вЂњSurprise Me This MuchвЂќ scale lets users determine how often they want to hear new and unfamiliar tunes on Shiri.

Shalom hanoch performance jerusalem